1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).   Related Paintings of Francisco Goya :. | Danching by the River Manzanares | Preparatory drawing for plate | Saints Justa and Rufina | Saturn devouring his children | Diego Velazquez,Rokeby Venus,about 1648 |
Related Artists:
Axel Axelson
painted Fiskaregrand, Stockholm in 1854-1892
PIAZZA, Callisto
Italian painter, Lombard school (b. ca. 1500, Lodi, d. ca. 1561, Lodi) Early collaborative projects with Martino and Albertino remain problematic. He probably moved to Brescia in 1523; the first major extant dated work is a Nativity (1524; Brescia, Pin. Civ. Tosio-Martinengo), painted for S Clemente, Brescia. In Brescia he studied the work of Moretto da Brescia and of Gerolamo Romanino, with whom he may have collaborated. Their influence is seen in the Visitation (1525; Brescia, S Maria Calchera) and especially in the group of works painted for churches in the Valcamonica. These include a Deposition (1527; Esine parish church); a Virgin Enthroned with Saints (Breno, S Antonio); a frescoed lunette of the Virgin Enthroned with Saints
Gabriel Lory fils
1784-1846